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BILLY BANG
Billy Bang (b. William Vincent Walker, Mobile, Alabama, September 20, 1947), is an American free jazz violinist and composer.
In 1977, Bang co-founded the String Trio of New York (with guitarist James Emery and double bassist John Lindberg).
Billy Bang has most recently explored his experience in Vietnam in two albums: Vietnam: The Aftermath (2001) and Vietnam: Reflections (2005), recorded with a band which included several other veterans of that conflict. The latter album also features two Vietnamese musicians based in the United States (voice and đàn tranh zither).
Track Listing: 1. Yo! Ho Chi Minh Is in the House, 2. Moments For the Kiamia, 3. Tunnel Rat (Flashlight and a 45), 4. Bien-Hoa Blues, 5. Mysterry of the Mekong, 6. Fire in the Hole, 7. Tet Offensive, 8. Saigon Funk
Track Listing: 1. Only Time Will Tell, 2. At Play In the Fields of the Lord - (featuring Joe Gonzalez/Milton Cardona), 3. Dance of the Manakin, 4. Prayer For Peace, 5. Chan Chan - (featuring Joe Gonzalez/Milton Cardona), 6. Dark Silhouette, 7. Jupiter's Future
Track Listing: 'Bama Swing Sweet Georgia Brown Peaceful Dreams Spirits Entering They Plan Three Faces Of Eve Yesterdays Don's Dream Willow Weep For Me Mr. Syms
Track Listing: Yo! Ho Chi Minh Is In The House Moments For The Kiamia Tunnel Rat (Flashlight And A 45) Bien-Hoa Blues Mysterry Of The Mekong Fire In The Hole TET Offensive Saigon Funk
Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Henry Flynt (born 1940 in Greensboro, North Carolina) is a philosopher, avant-garde musician, anti-art activist and exhibited artist often associated with Conceptual Art, Fluxus and Nihilism. Henry Flynts work devolves from what he calls cognitive nihilism; a concept he developed and first announced in the 1960 and 1961 drafts of a paper called Philosophy Proper. The 1961 draft was published in Milan with other early work in his book Blueprint for a Higher Civilization in 1975. Flynt refined these dispensations in the essay Is there language? that was published as Primary Study in 1964. In 1961 Flynt coined the term concept art in the Neo-Dada, proto-Fluxus book An Anthology of Chance Operations (published by Jackson Mac Low and La Monte Young) that was released in 1963. An Anthology of Chance Operations contained seminal works by Fluxus artists such as Al Hansen, George Brecht and Dick Higgins. Flynt's concept art, he maintained, devolved from cognitive nihilism, from insights about the vulnerabilities of logic and mathematics. Drawing on an exclusively syntactical paradigm of logic and mathematics, concept art was meant jointly to supersede mathematics and the formalistic music then current in serious art music circles. Therefore, Flynt maintained, to merit the label concept art, a work had to be an object-critique of logic or mathematics or objective structure." It has nothing to do with concept art as the term is used to describe a form of illustration in the realm of the digital arts. In 1962 Flynt began to campaign for an anti-art position. Thus he demonstrated against cultural institutions in New York City (such as MOMA and Lincoln Center for the Performing Arts) with Tony Conrad and Jack Smith in 1963 and against the composer Karlhein. More:
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